Trish became a monster just as Jessica-learning more about her past and discovering that her mother was still alive-became more human. Trish’s desperation to be powered had turned into the focal point of the series, pulling her toward vigilante stunts and drug-fueled obsession that put everyone in her orbit at risk. But in the end it was Trish, unwillingly detoxing off a government-issued inhaler, who did just that. I spent most of the early episodes wondering how long it would take Jeri to find the doctor at IGH who “made” Jessica and compel him to fix her. Jeri Hogarth (Carrie-Anne Moss), newly diagnosed with ALS, seemed like she might be gunning for superpowered status, given the fragility of her own human body and her always outsized ambitions. It wasn’t entirely clear until the final episode which character was going to transform into Jessica’s main antagonist, but there were several potential candidates. But Rosenberg made one specific change in the season that stands out: Each of the three potential villains is a woman. They also suffer from Netflix bloat, the affliction of every other Marvel superhero series on the streaming service, all of which could could prune almost half their running time without sacrificing anything substantial. What they’re most obviously missing is a Big Bad like Season 1’s Kilgrave (David Tennant), an antagonist who’s both disturbing and charismatic enough to shape a whole season of a television show around. The 13 new episodes of Jessica Jones meander from action scene to chase sequence, with a whole lot of filler in between. She also (significant spoiler) becomes the bad guy. But in the second, which comes almost two-and-a-half years later, Trish gets a more fleshed-out backstory, involving a TV director who preyed on her when she was 15, a mother who exploited Trish for her own gain, a Britney-esque meltdown of a pop career, and a sordid addiction to drugs and alcohol. During the superb first season of Melissa Rosenberg’s superhero series about an alcoholic private detective with a traumatic past (played ably by Krysten Ritter), Trish was Jessica’s foil and sidekick, as pulled together and bland as Jessica was snarly and compelling. It’s a throwaway moment and a punchline, but it also foreshadows much of what’s to follow in the second season of the Marvel Netflix show. At the end of the performance Trish rushes away without posing for photographs, prompting one of the gay dads who hired her to observe, semi-admiringly, that “Patsy’s kinda mean.” I think if she envies anything in Trish, it would be her generosity.This article contains spoilers throughout the entire second season of Jessica Jones.Įarly in the first new episode of Jessica Jones, Patricia “Trish” Walker (Rachael Taylor) is shown, without context, at a children’s birthday party, dressed in rainbow sequins and an auburn wig, halfheartedly singing the theme song from the children’s TV show she starred in ( It’s Patsy!) a decade or so ago. Actually, what she envies most of Trish is her heart, I think, because Trish is such a giving, loving person, and is really about helping other people. But I think she would love to have the normalcy of her life in some way. Jess doesn’t care about money or fame or any of that she would never want any of it. For Trish, it’s, “What I could do if I had your powers.” I don’t think Jess feels that as much. It’s an interesting dichotomy of them figuring out there’s an envy involved, there’s support, there’s compassion, there’s frustration. One of the places that we’re never going is her going, “Oh, I don’t want to have powers anymore.” That’s Bewitched and I’m never going there. She’s very comfortable with those powers. There’s always this element between them of Trish has everything - beauty, grace, success and she’s educated - she has everything you could possibly want, except powers. And Trish was becoming an equal partner in this relationship. They started off estranged in season 1, and then came together in the most profound way, where Jessica was willing to sacrifice herself for Trish.
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